The characteristic syncopated drum opening in "No Excuses" was a result of Kinney's improvised experimentation with side-stick drumming. 451s and 57s were mounted on the top side of the snare drum, while a 441 was fitted on the bottom side. AKG 414 microphones were used for overhead registration, while D-12s were used for the floor and rack toms, and Sennheiser MD 421s were placed on the kick drum. To reflect the recording's acoustic climate, Kinney sometimes used brushes to obtain a softer feel. So that it sounded like it was an acoustic guitar instead of an electrified acoustic guitar." Cantrell played using Ovation guitars during the album's sessions. Wright recalled that "at some points we overdubbed some acoustics with micing those acoustics, but when they were recording live off the floor, I'd use whatever pick-ups had in his guitars at the time, trying to keep that sound as close to acoustic-sounding as possible. The album's acoustic guitar sound was particularly focused on.
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Staley instructed that Pro Tools not be used within the studio as Wright explained, "Layne absolutely had a working knowledge of his sonic preferences in the studio - and felt analog sounded better for the band's sound." The album's tracks were mostly recorded within one or two takes. The album was recorded on tape on a Neve 80-68 mixing console because Wright wanted the album's acoustic sound to be as natural as possible. Assistant engineer Jonathan Plum described the sessions as "exhaustive". For us, it was just the experience of four guys getting together in the studio and making some music." The album's sessions lasted 14–18 hours a day, and recording was complete within seven days. But the record label heard it and they really liked it. We never really planned on the music we made at that time to be released. Vocalist Layne Staley said the band "just wanted to go into the studio for a few days with our acoustic guitars and see what happened. The first session took place on September 7, 1993. We thought it would be a waste not to put that material out." The sounds and the tones were really good. We just went into the studio with no songs written, to check out the chemistry. We did Jar of Flies to see how it was to record with Mike Inez. That stuff was written on buses and whenever we had downtime. Drummer Sean Kinney had said, "After playing loud music for a year, we'd come home and the last thing we wanted to do was crank up the amps right away. Despite Cantrell's assurances, the band did not have any planned tracks before the session began. Wright reacted positively and booked ten days at the London Bridge Studio. ĭuring Alice in Chains' June–August 1993 appearance at Lollapalooza, guitarist Jerry Cantrell called record producer Toby Wright with a proposal to collaborate on new material. Homeless, the band then moved into the London Bridge Studio in Seattle. In Great Britain, the album was certified silver after selling 60,000 copies.įollowing Alice in Chains' extensive 1993 world tour for Dirt, bassist Mike Starr getting fired during the tour for his drug use, and Ozzy Osbourne bassist Mike Inez joining the band, the members returned home to Seattle after the end of their Lollapalooza tour and found themselves evicted from their residence after failing to pay the rent. In Canada, Jar of Flies was certified double-platinum for the sale of 200,000 copies. The EP was well received by critics and has been certified triple-platinum by the RIAA, selling 4 million copies worldwide, making Jar of Flies one of the band's most successful releases. Jar of Flies was nominated for two Grammy Awards in 1995: Best Recording Package and Best Hard Rock Performance for "I Stay Away".
The tracks " No Excuses", " I Stay Away" and " Don't Follow" were released as singles to promote the album. The self-produced EP was written and recorded over the course of just one week at the London Bridge Studio in Seattle. 1 on the Billboard 200 chart, with the first week sales exceeding 141,000 copies in the United States. This is Alice in Chains' second acoustic EP, preceded by 1992's Sap, and it is the first EP in music history to debut at No. Jar of Flies is the third studio EP by the American rock band Alice in Chains, released on January 25, 1994, through Columbia Records.
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